Living near an airport, I spent years capturing this series that deciphers the fleeting encounters between airplanes and urban structures. Rendered in a stark black-and-white palette, the work constructs a visual grammar where the sky is fractured into rigid geometries of steel and concrete. Within this framework, airplanes emerge as transient verbs—light, humorous, and surreal intrusions that punctuate the city's heavy, noun-like stillness. This tension between the mobile and the static invites a reflection on how freedom and chance compose their own syntax within the ordered sentences of modern life.